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Five Chinese lacquer known

Jiangsu Yangzhou lacquer originated in the Qin and Han dynasty 2,000 years ago, has developed in the Tang Dynasty, which flourished in the Ming and Qing dynasties, is rich in folk art and regional characteristics, Ming-Zhu Zhou, Yangzhou artists for the first time for gold and silver jade, agate, crystal sea turtles and other high quality materials, sculpted landscapes, figures, flowers, flags, pens, incorporated in the lacquer on the front pear Tan Clear "technical". For thousands of years, the art of lacquer Yangzhou gradually formed a "child in the solid, working well, shiny timid Run, modeling chic style and carved red lacquer, inlaid mosaic floors with inlays pearl mosaic light with the mother, 100 Po cover (System of Zhou) other known varieties, Yangzhou lacquer with Beijing, Fujian, Chinese lacquer known as disembodied "Three lacquer."

Chengdu Lacquer

According to historical records, Sichuan since ancient times, rich cinnabar lacquer, Chengdu is home to one of the first lacquer ware in China. In 2000, the Warring States period unearthed coffin boat Chengdu is in a great number of fine workmanship, beautiful decorative lacquer, brilliant show Warring States Period, lacquerware Shu is already well developed.

The famous Tomb of the Western Han Dynasty in Changsha, Hunan, Mawangdui uncovered a large number of exquisite lacquer, most of which are branded "in the city of "grass", fed to the city "(ie like Chengdu) so keep in mind that have elapsed since the 2000 years of history, This period of Chengdu, the national center for the manufacture of lacquer.

Clear Chengdu is handmade primarily of wood land paint, raw materials, according to the design requirements of car type of wood, then tried to impose the paint. Their techniques decorations: the size, stuffed, painted, painted, battery, paste and so on. A carved fill color, silver and silk piece is unique in its style of lacquer Chengdu unique skills in the industry.

Beijing lakes

Clear in Beijing later to create during the Yuan Dynasty. In the Ming and Qing dynasties, was decorated like a palace is an important element. Because the process is different from Beijing can tell a variety of lakes and the mosaic common three-dimensional mosaic and painting, etc. Po 100 varieties, a number of processes have also been used in the production of lacquer, resulting from the size and engraving, and full of gray ash species lacquer.

Fill lacquer carved on the tires, after plastering, painting after painting many times. Subsequently, the models presented the fine lines on the surface, then the opposite direction of gold and silver powder or fill Cai Qi done. After the above process for the cover carved lacquer made of artistic expression, on the ground that gray ash richest inscription lacquer. ceramic carved lacquer, as an important species to fill the Ming and Qing dynasties, when the number of survivors the world is not much. The spread of the community, more rarely, and now most of them had major museum collections, both In recent years, with the possibility of improving the assessment of collectors, carved lacquer filled gradually been recognized.

Clear Fujian

Fuzhou bodiless lacquer Sambo, one of more than 200 years of history, its light texture, elegant shape color Chic, sleek, shiny, decorative thin, solid and durable, with a unique numbering national and local partitioned Beijing, Jiangxi Jingdezhen porcelain known as traditional handicrafts of China "Sambo.

Since the Southern Song dynasty, lacquer Fuzhou. 清乾隆年间 Information Reportedly, the painter Shen Choain found in a temple, while the plaque on the door has been left rotting wood, but the clothing assembly gray paint at the end the embryo intact. Shen Choain carefully inspiration, home tests continuously refined, inherit and advance the traditional lacquer and created bodiless lacquer first. Shen Choain become the author Fuzhou bodiless lacquer.

No organization methods of production of the body of the lacquer are divided into two types of tires and wood. Born in the base of the earth, plaster molds wood products, tires in white, then use a damp grass (clothing), or silk, and the varnish layer by layer in the ticket assembly into the tire until it dries out, after grinding, or outside of the tire Parents, on the left, in the forms of matter, and then through the ashes, polishing, painting, grinding, impose a variety of reasons decorative, and was therefore a nice shiny "without body paint" the craft.

Clear Yangjiang
Yangjiang Guangdong Province began Ming Dynasty and early Qing Dynasty lacquer, over 300 years of history. Yangjiang tires subcutaneous lacquer, paper, tires, wheels, wood products mainly include daily crafts, furniture, veneer fetal skin is more traditional characteristics. It is resistant to moisture, permanent aspect, but picturesque, are exported to the countries of South East Asian liberation, the freedom to paint pictures, paint and small parts lacquer pillow is known. Yangjiang, a suitcase with pines painting traditional tires, pulp inside and outside layer of skin cow, after ironing building formed on the painted surface. Museums across the photos of celebrities and use it for storage. Paint The wooden pillow is woven with rattan in the design of a common layer of leather, table advantage of solid painting, resistant to moisture, water resistant, light weight without cracking.
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